For 2024, Giorgia won DNAppunti Coregrafici, production and touring support for EAT ME, and Italian Ministry of Culture SIAE - Per Chi Crea funding for a new production with the young dancers of MM Contemporary Dance Company. Upcoming for 2025 include MA Choreography graduation work premiering in Helsinki (Theater Academy) in February and a residency at Le Gymnase CNDC, awarded by the Italian Cultural Institute in Paris for Nouveau Grand Tour.

2024

10 November Eat me, performing at Festival Internazionale La Sfera Danza, Padova

6-7 November Eat me, performing at Gender Bender Festival, Bologna

30 October Eat me, performing at Centro Nazionale di Produzione della Danza Virgilio Sieni, Firenze

20 October Eat me, première in Romaeuropa Festival

2-14 October Eat me, residency in L’arboreto - Teatro Dimora | Centro di Residenza Emilia Romagna

30 September Eufemia, performing at Politecnico di Milano

25 September Do not call me a dancer | MM Contemporary Dance Company, première at Aterballetto, Reggio Emilia

29 August Eat me (studio), performing at B.MOTION Operaestate Festival, Bassano del Grappa

28 August physical practice for B.Network at B.MOTION Operaestate Festival, Bassano del Grappa

27 July Don't worry, I really like it (working title), performing at Umbia Danza Festival, Perugia

19-26 July Eat me, residency in Centro Nazionale di Produzione della Danza Virgilio Sieni, Firenze

12-18 July Eat me, residency in Triennale Milano

3-8 July R-Ev residency, Teatro Nuovo Sanità, Napoli

6-20 June Eat me, residency in Operaestate / CSC Centro per la Scena Contemporanea, Bassano del Grappa

25-30 May my sacrum is the head of a lion (and I have proof of it), performing at Helsinki Theater Academy

23-30 March Don't worry, I really like it (working title), residency HOME | Dance Gallery, Perugia

11-17 March Nordic Choreographic Platform, Kunsthøgskolen i Oslo

23 February - 3 March R-Ev residency, FIBA Festival, Buenos Aires - supported by nctm e l'arte

A little keppihevonen moment in ✨ this could be us ✨ also people doing splits and taking pants off cause, well, my choreography 🙌

Three more shows today and tomorrow before we roll away the pink dance carpet, come come come!

With @ju.ronja.re @juliammakela @vittoria_caneva @elena_grappi Anna Saves and yours truly
Sound and rat direction @sebastiwan
Light magic @all_yyyy
Costume design (for humans and non humans) @eva_liis

🎥 @all_yyyy

This could be us, finding out that in the box I am a cat, playing a dancer, inside of a Barbie house. We connect to our many bodies. We take the space to rehearse: we’re rehearsing the ability to be whatever/whoever we want.
This could be Giselle not dying, because her love for dance will never betray her. Or she could be rehearsing being someone else: maybe she was never Giselle. I am not so interested in ballet, I am more interested in the idea of ballet. This could also be a box of childhood memories, where things come from child-like joy, from the thrill of performing.

This could be me, making performances for an audience of 6 years old girls who see themselves on big stages.
What is the dance of the future? The world is burning and there is not much I can do about it. What I can do is go back to the craft I know: dancing, with friends, softening a space to meet us at work - from us, to you.

This could be us in a third act of a non-ballet, the suite: a space of radical possibility, the same that was in the performances we created in the living room for the audience of our parents.
Not because I have to, but because I can.
Like it’s just dance.

📸 @all_yyyy

This could be us, sitting around the box, where I introduce you to what’s inside:
Elena @elena_grappi is a childhood friend: we met in dance school. I wished I knew how to do the splits like her. Vittoria @vittoria_caneva is also from Italy, we met in 2019 in a class and I thought “wow, this person knows fire” - we have been working together ever since. Anna and Julia @juliammakela share a similar friendship, I think. And Ronja @ju.ronja.re : we all met last year in ACO where we taught one another how to do pas de chat.

The more I know them, as dancers and people, and the more I think these people belong to my future.
Then, there was an email by Eva-Liis @eva_liis : “it sounded so ‘me’ instantly”. And Alex @all_yyyy and Seba @sebastiwan who opened the space with the most gentle gaze day by day, even when I kindly asked them to leave the space because we had to slap our thighs around in our underwear.

This could be us, where I invite you to my journey in dance: where I have been unlearning how to instruct, demand, correct. Design a small plan and always, always, witness the plan changing itself as we go, projecting us into a future that doesn’t exist and that we have a chance of making - together.

📸 @all_yyyy

Première tomorrow! ❤️‍🔥

this could be us aka the thesis effort
With @ju.ronja.re @juliammakela @vittoria_caneva @elena_grappi Anna Saves and yours truly
Sound and rat direction @sebastiwan
Light magic @all_yyyy
Costume design (for humans and non humans) @eva_liis

This could be us, finding a box inside of a theater, inside of the University. A box that we built, as a space for things to unfold - possibly, hopefully, desperately otherwise. This could be us finding stuff under a glittery dust: the images of the rehearsals of the dance company I wish to exist.

A dance performance created together with a group of cat-people (and rats in cute outfits). These cat-people did not know each other, but the first steps of my choreography were having them jump - grandjeté-ing - across this floating continent and hold space for making this happen.

And that’s choreographic. For me.

📸 @all_yyyy

Life right now is a little bit more in technicolor @uniartshelsinki
(me taking pics of dancers stretching because I am not stretching myself)

✨✨✨ 2025 will start with the great thesis effort and I want to thank everyone who is making this possible @uniartshelsinki @iichelsinki @creative.eu @nexus.factory ✨✨✨

I don’t really know what it is to be graduating University as a dance artist… there is so much yet to find out that I keep tending to a future that doesn’t exist and that we have a chance of creating, together. I will spend the transitioning into this new year surrounded by conversations, memes, books that lay open in the house - kinds of primitive hypertexts, as Butler put it, that will flourish in the company of incredibly talented humans, and friends, coming to make the Helsinki winter a little less impossible.

this could be us will première 31.01
this could be us, but this is already us

📷 1. @migliorareconleta / @nuovofornodelpane

Them powerpuff girls 🎀
@_ericabarusco_ @_vivianasanfilippo_
@carlotta_maucioni @diletta_torelli

𝗗𝗢 𝗡𝗢𝗧 𝗖𝗔𝗟𝗟 𝗠𝗘 𝗔 𝗗𝗔𝗡𝗖𝗘𝗥
@mm_contemporary_dance_company
Premiere in @ccnaterballetto

Suono @sebastiwan @_victorback_
Costumi @nuviavalestri
Luci @elenavastano
Video @lorenzo__paglia

Con il sostegno del MiC e di SIAE nell’ambito del programma “Per Chi Crea”
@mic_italia @siae_official #perchicrea

🌊🌊🌊

𝗗𝗢 𝗡𝗢𝗧 𝗖𝗔𝗟𝗟 𝗠𝗘 𝗔 𝗗𝗔𝗡𝗖𝗘𝗥
@mm_contemporary_dance_company
Premiere in @ccnaterballetto

Con @_ericabarusco_ @_vivianasanfilippo_
@carlotta_maucioni @diletta_torelli

Suono @sebastiwan @_victorback_
Costumi @nuviavalestri
Luci @elenavastano
Video @lorenzo__paglia

Con il sostegno del MiC e di SIAE nell’ambito del programma “Per Chi Crea”
@mic_italia @siae_official #perchicrea

Back up North pinky photodump 🎀
(Sorry mama for pizza salami)

EAT ME
With @sophieclaireannen @giorgilolla
Sound design @sebastiwan
Costume design Suvi Kajas
Light design @elenavastano
Tech @vikydec
🎥 Mauro Baratti @larboretoteatrodimora

Winner of DNAppunti coreografici 2023, promoted by:
@romaeuropa
@triennaleteatro
@gender_bender_festival
@operaestate
@larboretoteatrodimora
@compagnia_virgilio_sieni

Developed in the frame of @nuovofornodelpane Outdoor Edition, residency project curated by @mambobologna Museo d’Arte Moderna di Bologna

Production @anghiaridancehub @nexus.factory With the support of @la_sfera_danza @boardingpassplusdance @santarcangelofestival SIS Fondazione Svizzera degli Artisti Interpreti

EAT ME 🍣🍣
big announcement time!
Catch us being very juicy around Italy this upcoming month:
20/10 @romaeuropa première
30/10 @compagnia_virgilio_sieni Firenze
6 and 7/11 @gender_bender_festival Bologna
10/11 @la_sfera_danza Padova

With @sophieclaireannen @giorgilolla
Sound design @sebastiwan
Costume design Suvi Kajas
Light design @elenavastano
Tech @vikydec
🎥 Mauro Baratti @larboretoteatrodimora

Winner of DNAppunti coreografici 2023, promoted by:
@romaeuropa
@triennaleteatro
@gender_bender_festival
@operaestate
@larboretoteatrodimora
@compagnia_virgilio_sieni

Developed in the frame of @nuovofornodelpane Outdoor Edition, residency project curated by @mambobologna Museo d'Arte Moderna di Bologna

Production @anghiaridancehub @nexus.factory With the support of @la_sfera_danza @boardingpassplusdance @santarcangelofestival SIS Fondazione Svizzera degli Artisti Interpreti

Outfit sobrio per pizza in cartone 🐠
🪡 @nuviavalestri + 🧑🏻‍💻 @krivocashitpost

Of the 223 dances Isadora choreographed, only 47 were for her pupils and 176 were for her own performances. Many of them, are lost. Besides the endless hours spent with Dora and her writings, I relaxed back wondering about everything that disappeared undocumented. Why history, why repertoire, why looking back - what is our relationship to this woman - as a dancer, as a woman? How much has the world changed in a hundred years?

I went into the studio day 1 with what Isadora called “a vague indication”, images, energies, directions. I met four souls ready to dance, sing, lay in imaginary suns, write letters and give their hearts and souls to the making. Isadorabili per davvero.

Stasera debuttiamo, con un sold out in luogo speciale che sono grata di chiamare casa: @ccnaterballetto Ringrazio chi ci ha creduto prima di tutti @michelemerolammcdc @enrico_morelli_79 @gara_ge9, tutto lo staff, e SIAE che ha selezionato il progetto. Come tutto, ultimamente più che mai, I am thankful for everyone who has been involved in this collective effort: all the incredible people credited below, and everyone across the globe who contributed via less institutionalized paths: Victor, Marcos, Ida, Piero, Chiara and counting.

25/09 première of
𝗗𝗢 𝗡𝗢𝗧 𝗖𝗔𝗟𝗟 𝗠𝗘 𝗔 𝗗𝗔𝗡𝗖𝗘𝗥
@mm_contemporary_dance_company
Con @_ericabarusco_ @_vivianasanfilippo_
@carlotta_maucioni @diletta_torelli

Suono @sebastiwan
Costumi @nuviavalestri
Luci @elenavastano
Foto @lorenzo__paglia

Con il sostegno del MiC e di SIAE nell’ambito del programma “Per Chi Crea”
@mic_italia @siae_official #perchicrea

Forgive me Dora for I like socks

@ccnaterballetto 25/09
𝗗𝗢 𝗡𝗢𝗧 𝗖𝗔𝗟𝗟 𝗠𝗘 𝗔 𝗗𝗔𝗡𝗖𝗘𝗥
@mm_contemporary_dance_company

🧚‍♀️🧚‍♀️🧚‍♀️🧚‍♀️
@_ericabarusco_
@_vivianasanfilippo_
@carlotta_maucioni
@diletta_torelli

Suono @sebastiwan
Costumi @nuviavalestri
Luci @elenavastano
Foto @ph.nikonikon

Con il sostegno del MiC e di SIAE nell’ambito del programma “Per Chi Crea”
@mic_italia @siae_official #perchicrea

🐆 A portrait of me terrified of jaguaretes in the Argentinian jungle and a double exposure by Richard Stoots of a lady I have been spending a lot of time with over the past year. From the Collection of James Rose Lyn isadoraduncanarchive.org

@ccnaterballetto 25/09
𝗗𝗢 𝗡𝗢𝗧 𝗖𝗔𝗟𝗟 𝗠𝗘 𝗔 𝗗𝗔𝗡𝗖𝗘𝗥
@mm_contemporary_dance_company

🧚‍♀️🧚‍♀️🧚‍♀️🧚‍♀️
@_ericabarusco_
@_vivianasanfilippo_
@carlotta_maucioni
@diletta_torelli

Suono @sebastiwan
Costumi @nuviavalestri
Luci @elenavastano

Con il sostegno del MiC e di SIAE nell’ambito del programma “Per Chi Crea”
@mic_italia @siae_official #perchicrea

It all begun studying Duncan dances
@ccnaterballetto 25/09

𝗗𝗢 𝗡𝗢𝗧 𝗖𝗔𝗟𝗟 𝗠𝗘 𝗔 𝗗𝗔𝗡𝗖𝗘𝗥
@mm_contemporary_dance_company

Con 🧚‍♀️🧚‍♀️🧚‍♀️🧚‍♀️
@_ericabarusco_
@_vivianasanfilippo_
@carlotta_maucioni
@diletta_torelli

Suono @sebastiwan
Costumi @nuviavalestri
Luci @elenavastano

Con il sostegno del MiC e di SIAE nell’ambito del programma “Per Chi Crea”
@mic_italia @siae_official #perchicrea

Più emozionante della prima c’è solo l’ultima, prima di una vera prima. 🧜🏻‍♀️🧜🏻‍♀️

Grazie @operaestate e tutto lo staff, gli sguardi meravigliosi delle @_dancewell dancers che ci commuovono sempre e senza cui non avrei avuto la conferma di poter essere un po’ quello che voglio in scena (una tigre, un serpente, un materasso, una sirena, metallo liquido).

Pro tip: se ti tremano le gambe fai uno spettacolo tutto sdraiata 💅 Bassano edition featuring
La sirenetta dei conti @sophieclaireannen
Una tecnica d’eccezione @vittoria_caneva
Una groupie compaesana @elena_grappi
E tutto quello che non si vede ma che ogni giorno mi fa innamorare di più di questo viaggio incredibile che un giorno chiameremo con affetto quello che è: “compagnia”?

@revolutionproject2023 is about sharing creative processes with 14 artists from Chile, Colombia, Argentina, Uruguay, Portugal, Lebanon, Tunisia and Italy.
🇹🇳 🇱🇧 🇵🇹 🇦🇷 🇺🇾 🇨🇱 🇨🇴 🇮🇹

After working online and in Buenos Aires,
@krivocashitpost @chiaravirgilio.theatre and I presented in Napoli @teatroareanord a pitch of THE VIRGIN WALK, an immersive board game hosted by The Spectrum of Sexuality”, here with the voice of @chiara_bonfrisco 👻 A twelve players experience of one liners and cards and memes and choices.

I never though that having played D&D as a teenager might have some real influence my professional practice…

In case you have been wondering , I like pink and Hanna’s jokes

📷 @hann.kush

Grazie @operaestate CSC Centro per la Scena Contemporanea and DNAppunti Coreografici for these two weeks of residency towards 🍣 EAT ME 🍣 with the dream team

See you for B.MOTION Festival
28/08 https://www.ednetwork.eu/news/bnetwork-bassano-2024
29/08 https://www.operaestate.it/it/festival/bmotion?view=article&id=4419
🍑🍑🍑🍑🍑🍑�🍑🍑

Next month:
@triennalemilano @compagnia_virgilio_sieni
@nexus.factory @anghiaridancehub

EAT ME 🧜🏻‍♀️🧜🏻‍♀️ ora in residenza a @operaestate a fare le sirene sul Brenta

di Giorgia Lolli, con @sophieclaireannen
Sound design @sebastiwan

Progetto vincitore del bando DNAppunti coreografici 2023, promosso da:
@romaeuropa
@triennaleteatro
@gender_bender_festival
@operaestate
@larboretoteatrodimora
@compagnia_virgilio_sieni

Sviluppato nel contesto di @nuovofornodelpane Outdoor Edition, progetto di residenza curato dal @mambobologna Museo d'Arte Moderna di Bologna

Produzione @anghiaridancehub @nexus.factory con il sostegno di @la_sfera_danza @boardingpassplusdance @santarcangelofestival

📷 Piero Tauro

𝐦𝐲 𝐬𝐚𝐜𝐫𝐮𝐦 𝐢𝐬 𝐭𝐡𝐞 𝐡𝐞𝐚𝐝 𝐨𝐟 𝐚 𝐥𝐢𝐨𝐧
(𝐚𝐧𝐝 𝐈 𝐡𝐚𝐯𝐞 𝐩𝐫𝐨𝐨𝐟 𝐨𝐟 𝐢𝐭)
🎸🎸🎸

With:
Ronja Antikainen @ju.ronja.re
Julia Mäkelä @juliammakela
Vasilliki Kontopoulou @vasillikilehdoss
Anna Saves
Anette Toiviainen @anettetoiviainen

Dramaturg: Martta Jylhä @sweetsugarbabyangel
Sound design: Juri Jänis @jurivilhelmi
Lighting design: Rasmus Strandell
Costume design: Suvi Kajas

📷 Jussi Ulkuniemi @jussi_ulkuniemi
@uniartshelsinki #uniartshelsinki

𝐦𝐲 𝐬𝐚𝐜𝐫𝐮𝐦 𝐢𝐬 𝐭𝐡𝐞 𝐡𝐞𝐚𝐝 𝐨𝐟 𝐚 𝐥𝐢𝐨𝐧
(𝐚�𝐧𝐝 𝐈 𝐡𝐚𝐯𝐞 𝐩𝐫𝐨𝐨𝐟 𝐨𝐟 𝐢𝐭)
🎸🎸🎸

Première tomorrow and four more performances next week!

With:
Ronja Antikainen @ju.ronja.re
Julia Mäkelä @juliammakela
Vasilliki Kontopoulou @vasillikilehdoss
Anna Saves
Anette Toiviainen @anettetoiviainen

Dramaturg: Martta Jylhä @sweetsugarbabyangel
Sound design: Juri Jänis @jurivilhelmi
Lighting design: Rasmus Strandell
Costume design: Suvi Kajas

📷 Jussi Ulkuniemi @jussi_ulkuniemi
@uniartshelsinki #uniartshelsinki

Five weeks ago I said that I would have sent a picture of my ass for the ACO poster… we went far. But also not that far. Première on Saturday and four more performances next week 💖

𝐦𝐲 𝐬𝐚𝐜𝐫𝐮𝐦 𝐢𝐬 𝐭𝐡𝐞 𝐡𝐞𝐚𝐝 𝐨𝐟 𝐚 𝐥𝐢𝐨𝐧
(𝐚𝐧𝐝 𝐈 𝐡𝐚𝐯𝐞 𝐩𝐫𝐨𝐨𝐟 𝐨𝐟 𝐢𝐭)

Choreography: Giorgia Lolli

With:
Ronja Antikainen @ju.ronja.re
Julia Mäkelä @juliammakela
Vasilliki Kontopoulou @vasillikilehdoss
Anna Saves
Anette Toiviainen @anettetoiviainen

Dramaturg: Martta Jylhä @sweetsugarbabyangel
Sound design: Juri Jänis @jurivilhelmi
Lighting design: Rasmus Strandell
Costume design: Suvi Kajas

🦁📷 @juliammakela #uniartshelsinki

Premiere in a week 🎸🎸🎸
and a little bit of where you can find me this summer

25-30/05
𝐦𝐲 𝐬𝐚𝐜𝐫𝐮𝐦 𝐢𝐬 𝐭𝐡𝐞 𝐡𝐞𝐚𝐝 𝐨𝐟 𝐚 𝐥𝐢𝐨𝐧 (𝐚𝐧𝐝 𝐈 𝐡𝐚𝐯𝐞 𝐩𝐫𝐨𝐨𝐟 𝐨𝐟 𝐢𝐭) performing @uniartshelsinki

6-20/06
𝐄𝐚𝐭 𝐦𝐞 residency @operaestate

5-7/07
𝐓𝐡𝐞 𝐯𝐢𝐫𝐠𝐢𝐧 𝐰𝐚𝐥𝐤 closing @revolutionproject2023 @nuovoteatrosanita

12-18/07
𝐄𝐚𝐭 𝐦𝐞 residency @triennalemilano

19-26/07
𝐄𝐚𝐭 𝐦𝐞 residency @compagnia_virgilio_sieni

27/07
𝐃𝐨𝐧'𝐭 𝐰𝐨𝐫𝐫𝐲 𝐈 𝐫𝐞𝐚𝐥𝐥𝐲 𝐥𝐢𝐤𝐞 𝐢𝐭 performing @umbria.danza.festival

29/08
𝐄𝐚𝐭 𝐦𝐞 (15'), @operaestate

Today we had a round of “dramaturgical hour”, raising questions, no answer. Our light designer put down a post it that said: if this piece was a meme, what would it be? Rasmus I know you don’t have Instagram but here it is

🐈 🐈‍⬛🦁🐈‍⬛🐈
𝐦𝐲 𝐬𝐚𝐜𝐫𝐮𝐦 𝐢𝐬 𝐭𝐡𝐞 𝐡𝐞𝐚𝐝 𝐨𝐟 𝐚 𝐥𝐢𝐨𝐧
(𝐚𝐧𝐝 𝐈 𝐡𝐚𝐯𝐞 𝐩𝐫𝐨𝐨𝐟 𝐨𝐟 𝐢𝐭)

@uniartshelsinki
25 27 28 29 30/05

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2023

10-18 december Eat me, Boarding Pass residency, Teatr Łaźnia Nowa – Dom Utopii, Boska Komedia Festival, Krakow

27-29 november Don't worry, I really like it (studio), Helsinki Theater Academy

22 october Eat me (studio), DNAppunti Coreografici Romaeuropa Festival

7 october Eat me (studio), open rehearsal, Humina Ry, Helsinki
25-29 september Nordic Choreographic Platform, Danish National School of Performing Arts, Copenhagen

11-20 september R-Ev residency, Théâtre El Hamra, Tunisi

10-15 august theWorkRoom Vapore, Viafarini/Muovimi, Fabbrica del Vapore (MI)

17-30 july Alphabet et Ultra, gruppo nanou, Ravenna

3-8 july Incubatore CIMD, Milano

21 june I want to shake you off me | maybe this is my dancing, Giorgia Ohanesian Nardin, introduce Giorgia Lolli, MAMbo (BO)

10 june Eat me (studio), Festival Più Che Danza, BASE Milano

9 june Eat me (studio), open rehearsal for Nuovo Forno del Pane, Teatro Consorziale di Budrio (BO)

10 may sound installation in Convivio, by Sophie Claire Annen and Vittoria Caneva, Museo d'Arte di Mendrisio, Festa Danzante Ticino

27-29 april performing in How the land lies, Laura Cemin & Bianca Hisse, Aerowaves 2023 Spring Forward Festival, Dublin

3-23 April residency and performing in How the land lies, Laura Cemin & Bianca Hisse, KIASMA Helsinki

8 march Eufemia + Eroide Contemporanea, Aterballetto, Fondazione Nazionale della Danza, Reggio Emilia

6-10 february digital residency for Theater in Palm, EU project, Italian Team

feb - june residency Nuovo Forno del Pane, MAMbo - Museo d'Arte Moderna di Bologna, Budrio (BO)

curated by Lorenzo Balbi, Caterina Molteni, Sabrina Samorì and coordinated by Giulia Pezzoli

2022

11-18 december Incubatore CIMD, Milano

10 december Eufemia, Teatro delle Briciole, Parma

14-20 november Incubatore CIMD, Milano

7-13 november The glitter manifesto, residency at Operaestate, Bassano del Grappa

17-23 october Incubatore CIMD, Milano

25-30 september residency for How the land lies, Laura Cemin & Bianca Hisse, HIAP Helsinki

5-11 september Incubatore CIMD, Milano

3 september performing in A chi si perde, Francesco Cocco, Venere in Teatro, Forte Marghera (VE)

19-20 august HUMAN FACTORY, Platform14, Uferstudios Berlin

22-25 august Dance Well EU project, Operaestate, Bassano del Grappa

15-22 august Choreographic exchange project and Carte Blanche EDN, B.Motion, Bassano del Grappa

8-15 august Choreographic exchange project, ConTempo Kaunas and Lithuanian Contemporary Dance Association

14-16 july Eufemia, Teatri Riflessi, Zafferana Etnea (CT)

16 july Workshop, Viagrande Studios (CT)

12 july Eufemia, Cortile Teatro Festival, Messina

4-8 july The glitter manifesto, Residency ATUTTOTONDODANZA, Vigonza (PD)

16-19 june Eufemia, solo, Altofest, Napoli

6-16 june Eufemia, solo, residency at Altofest, Napoli

2 may Eufemia, Prospettiva Danza Teatro, Palazzo della Ragione (PD)

30 april Community workshop with Zerofavole, Reggio Emilia

9 april Community workshop with Zerofavole, Reggio Emilia

26 march 50min|mq E.sperimenti Dance Company, Fondazione Nazionale della Danza Aterballetto

8 april 50min|mq E.sperimenti Dance Company, Teatro Goldoni Corinaldo (AN)

7-11 march might delete later, residency in SdFactory Lab, Reggio Emilia

2021

13-18 december Dancescapes DanzaUrbana, Bologna

5 december Dreams and nightmares, presentation in Milano

12 november Eufemia, Festival Lugar Futuro (Viseu, PT)

7 november Eufemia, Teatro Furio Camillo (RM), Rassegna Inscena

7 october Eufemia, Vetrina della Giovane Danza d'Autore, Teatro Alighieri (RA)

4 october Workshop Liceo Coreutico Matilde di Canossa, Reggio Emilia

1 october Eufemia, BlueFACTORY (Fribourg,CH)

27-30 september Eufemia, residency in BlueFACTORY (Fribourg,CH)

21-26 september Tears, installation by Monster Chetwynd, Art Basel (CH)

17 september 50min|mq, E.sperimenti Dance Company, Fondazione Pergolesi, Jesi

3 september Hopera, E.sperimenti Dance Company, Piazza Verdi, Bologna

1 september Eufemia, Todi Festival OFF, Teatro Nido dell'Aquila (PG)

26-30 august E.sperimenti Dance Company, tour Sicilia

18 august OPEN, E.sperimenti Dance Company, Vicenza

15 august OPEN, E.sperimenti Dance Company, Giardini della Filarmonica, Roma

30 july 50min|mq, E.sperimenti Dance Company, Futuro Festival, Teatro Brancaccio, Roma

24 july Eufemia, Direction Under 30, Teatro Sociale di Gualtieri (RE)

6-12 july Eufemia, residency Anghiari Dance Hub, Bando Abitante

17-18 may Dreams and Nightmares, Dansekapellet Copenhagen (DK)

10-16 may Dreams and Nightmares, open rehearsals

12 april-10 may Jobs for Young Artists, production, Nykobing (DK)

2020

13 december Virtual studies for Eufemia, Festival Hasard (Fribourg,CH)

4 december Eufemia, Teatro di Anghiari, studio

september-december Residency Anghiari Dance Hub

13 november Hopera, E.sperimenti Dance Company, Senigallia

11 september 50min|mq, E.sperimenti Dance Company, Grosseto

26 august 50min|mq, E.sperimenti Dance Company, Corinaldo

5 august 50min|mq, E.sperimenti Dance Company, Basilica Palladiana, Vicenza

25 july 50min|mq, E.sperimenti Dance Company, Anfiteatro di Ferento

22 july 50min|mq, E.sperimenti Dance Company, Cantieri dell'Immaginario, L'Aquila

16 july 50min|mq, E.sperimenti Dance Company, preview Roma

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2023

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2022

2021

2020